Everything on the internet is s-l-o-w right now. Not sure what that is about - but I feel like I'm on dial up- no kidding. (bad flashbacks to 1999 in the freezing cold shop) OK- that was fun ... but you do remember what that was like?
I have been on here less and less lately as we have been busy developing the new line for Fall 2012. I have been sourcing some incredibly (insanely) beautiful leathers and the whole aesthetic of the line is being bumped up tremendously, it's very exciting.
Pattern making is a long and strenuous process here, it starts out like molasses- slow and sticky. The process of developing all new fit slopers is always somehow traumatic for me, even when the changes could be considered fairly subtle. What I do know is that they will step up the fit and final product yet another notch.
We are all such creatures of habit in our own ways, I stick to the familiar for as long as I feel comfortable and then - well- it's all gotta move - I tend to shift before I'm really consciously aware of "discomfort". It's an undeniable pull, and I often fight it. In the case of redeveloping fit - I am so picky and it does take me a bit to get into it- I create many, many multiples of variations before I am finally happy with the fit.
After that- comes the styles. I was organizing the studio Friday and realized I had at least 5 muslin phases for one (very deceptively) simple dress. I did not want to count further. It may be a minor William Ware Theiss moment- but for production- big difference. Check out the "Theiss Titillation Theory".
He was my design hero when I was a kid....really got me into it. I am forever indebted.
This is example of a muslin, not one from this line, but from a very special custom made project I did about 2 years ago.
|fitting muslin for a custom made leather jumpsuit|